Tom is the co founder of music label Yeti Out. What started as a basement parties in East London has evolved in to a pan-asia collective the past 7 years. Producing tours and parties for Novelist, Mixpak, Venus X, ASAP to Benji B and to merch collabs with Pleasures to Places + Faces, the crew's sound blur the line between rap, grime to garage with airwaves on NTS, Boiler Room to Shanghai Community Radio.

Fader One is the moniker behind Hong Kong via Chicago born DJ and producer Doyen Chung. With a sound engineer background working with the likes of AKAI, Rane and Numark, Fader One has been behind the production board for the likes of Lex Luger, GO$H, Lexie Liu to Rocco while his DJ sets explore a range of left field beats, IDM to trip hop.

DJ, label owner, fashion renegade PuzzyStack had studied Beijing Opera since his childhood.  In 2013, he founded the Raw Meat bass music party that still continues every week at Dada Beijing club, with his good friend MC Bloodzboi, giving a platform for new, young local DJ talents. 

Quickly rising to claim the "Beijing's best DJ" awards from both Time Out and City Weekend magazines, PuzzyStack has toured China extensively, establishing himself as one of the country's most exciting DJ talents. Able to play and mix a variety of genres on the fly -- UK Bass, Grime, Club Trax, Techno, and Footwork -- he's played Boiler Room, Radar Radio, NTS Radio, SHCR, and others. He's shared the stage with artists like Killa P, RP Boo, Branko, IC3peak, Daedelus, Traxman, Sinjin Hawke, Zora Jones, Elijah & Skilliam, Stööki Sounds, Gaika, Flava D, Visionist, DJ Paypal, Feloneezy, etc.

In 2017, he founded the S!LK label -- an electronic art, fashion, and music brand -- and invited lots of international acts to tour China, like P Money, Killa P,Sinjin Hawke & Zora Jones，Slackk, Drippin, Air Max' 97, Abyss X, Trekkie Trax, NAAFI, Bulma and so on. 

Born in Beijing 1980s, R Ξ Π  involved into multiple art and music plans as an authentic producer and DJ. Stirring a dense ambient of obscurity derived from Techno with the Industrial sound, he creates a violent, grotesque and rapid groove, implying a series of flashbacks from the emerging industrial scenery of 1970s and 1980s of the PRC. To seize the hints of existence from 640deceptiveness and vanishment, the innovation generated by his works are defining as a revenge to degeneration extensively as well.

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