Ivo Pogorelich was born in Belgrade in 1958 as son of a musician. He received his first piano lessons at the age of seven and went to Moscow at the age of 12 to study at the Central Special Music School and then at the Tchaikowsky Conservatory. In 1976 he began intensive studies with the renowned pianist and teacher Aliza Kezeradze, with whom he was married from 1980 until her untimely death in 1996. Mme. Kezeradze was able to transmit the spirit and matter of the school of Beethoven and Liszt, originated in Vienna and than carried through to the Conservatory of St. Petersburg, flourishing towards the end of the 19th and the beginning of the 20th century. Ivo Pogorelich won the first prize at the Alessandro Casagrande Competition at Terni (Italy) in 1978 and the first prize at the Montreal International Music Competition in 1980. In October of the same year, he entered the International Chopin Competition in Warsaw where, when prevented from participating in the final contest as a soloist with the orchestra, a fierce controversy resulted in the renowned Argentinian pianist Martha Argerich, a member of the jury, protesting and leaving the competition, joined by other members of the jury panel, with the words “He is a genius”. This event drew the attention of the whole musical world to the young pianist.

Ever since his debut recital in New York’s Carnegie Hall in 1981, Ivo Pogorelich has created a sensation with his performances in all the great concert halls throughout the world; starting in the U.S. and followed by performances on all four continents. He has received invitations to play with numerous major orchestras such as the Berlin and Vienna Philharmonic Orchestras, all the London Orchestras, the Chicago, Philadelphia, Boston, Los Angeles, New York Philharmonic Orchestras of the U.S. and major orchestras elsewhere. Wherever and whenever he plays, his stunning interpretations of the music confirm the originality of his talent and intellect. The New York Times once wrote “He played each note exactly, with such a feeling, such expression, he was an entire orchestra – it was as if he played 200 years ahead of our time”. In this spirit Ivo Pogorelich is known today as a poet of the instrument.

For more information or to buy tickets to his concert at the NCPA, visit: http://en.chncpa.org/whatson/zdyc/201801/t20180116_181540.shtml